| ID |
Painting |
Oil Pantings, Sorted from A to Z |
Painting Description |
| 756 |
 |
El Primo (Diego de Aceda) |
1644
Museo del Prado, Madrid |
| 86259 |
 |
El retrato del llamado barbero del Papa es un cuadro pintado por Velazquez en su segundo viaje a Italia. |
Date between 1649(1649) and 1651(1651)
Medium Oil on panel
Dimensions 50.5 x 47 cm (19.9 x 18.5 in)
cjr |
| 30560 |
 |
Equestraian Portrait of Gaspar de Guzman,Duke of Olivares |
mk68
Oil on canvas
Madrid,Prado
c.1632-1634
Spain
|
| 94828 |
 |
Equestrian Portrait of Margarita of Austria |
Oil on canvas, 297 x 309 cm
cyf |
| 94831 |
 |
Equestrian Portrait of Philip III |
1634-1635
Type Oil on canvas
Dimensions 300cm(9.8 ft) cm x 314cm
cyf |
| 94838 |
 |
Equestrian Portrait of Philip IV |
1635-1636
Type Oil on canvas
Dimensions 301 cm x 314 cm
cyf |
| 94832 |
 |
Equestrian Portrait of Prince Balthasar Charles |
1635
Type Oil on canvas
Dimensions 209 cm x 173 cm
cyf |
| 94829 |
 |
Equestrian Portrait of the Count Duke of Olivares |
1634
Type Oil on canvas
Dimensions 313 cm x 239 cm
cyf |
| 22703 |
 |
Esope (df02) |
c 1639-1641
Aesop
Asop
179.5 x 94 cm |
| 22661 |
 |
Etude pour la tete d'Apollon dans La Forge de Vulcain (df02) |
1630
Study for the Head of Apollo in The Forge of Vulcan
Kopf des Apoll in der "Schmiede des Vulkan
36.3 x 25.2 cm |
| 70394 |
 |
Evangelist Johannes auf Patmos |
Medium Oil on canvas
Dimensions Deutsch: 135,8 ?? 102,3 cm
|
| 45538 |
 |
Farmer meal |
mk186
1618 Budapest, Szepmuveszeti Muzeum |
| 32891 |
 |
Forge of Vulcan |
mk84
1630
Madrid,Prado,canvas
223x290cm
|
| 32892 |
 |
Foseph's Bloodied Coat Presented to Facob |
mk84
1630
EL Escorial
Nuevos,Moseos,Canvas
217x285cm
|
| 754 |
 |
Francisco Lezcano |
1636-38 Museo del Prado, Madrid |
| 32897 |
 |
Francisco Lezcano |
mk84
1636-40
Madrid,Prado canvas
107x83cm
|
| 53803 |
 |
Francisco Lezcano |
mk234
1636-38
107x83cm |
| 56687 |
 |
gammal kvinna tillagar agg |
mk248 den bar sortens malning kallas for bodegon, bokstavligen spanska for vardsbus men i allmanbet anvant i betydelsen stilleben med koksmotiv. alla foremalen ar starkt belysta framifran tillsammans uppvisar de en mangfald av ytor ocb material. men tror att velazquez malade tavlan som ett slags reklamskylt avsedd att demonstrera bans skickligbet, ocb att ban bade den med sig nar ban for till madrid ibopp om att finna en uppbojd mecenat. |
| 39505 |
 |
Gaspar de Guzman,Count-Duke of Olivares,on Horseback |
mk149
1635
|
| 768 |
 |
Head of a Stag |
Museo del Prado, Madrid |
| 22503 |
 |
Head of a Stag (df01) |
1626-1627
Cat no 33 |
| 45816 |
 |
Horseman picture Philipps iii |
mk178
around 1634/35
oil on linen
300x314cm |
| 22584 |
 |
Ignudi (df01) |
Michelangelo
1508-1512 |
| 88676 |
 |
Im Garten der Villa Medici in Rom |
c. 1630
Medium Oil on canvas
Dimensions Deutsch: 48 x 42 cm
cjr |
| 62307 |
 |
Infanta |
1630 Oil on canvas, 60 x 46 cm Museo del Prado, Madrid When the Infanta Do?a Mar?a, daughter of Philip III and Queen Margarita, set out for Vienna in December 1629 to meet the husband who had been chosen for her long before, the king of Hungary, later Emperor Ferdinand III, her journey included a stay of several months in Naples in 1630. Vel?zquez made haste to Naples to portray his sovereign's sister', who was famous for her beauty. He worked with the utmost care to emphasize the enamel-like smoothness of her fine features. Every detail, for instance the typically protuberant Habsburg lower lip, shows a striking similarity to the living model. The delicate carmine of her lips, the beautiful Titian shade of her hair, depicted in relaxed brushstrokes with dark brown shadows and bright yellow highlights, all display the artistic skill now at the command of Vel?zquez in his harmonious combination of state splendour with the individuality of his sitter. The carefully modelled face in this head-and-shoulders portrait was to serve as the basis for several full-length portraits of the Infanta, workshop copies that may have been intended as gifts to royal residences abroad |
| 22537 |
 |
Infanta Dona Maria,Queen of Hungary (detail) (df01) |
1630 |
| 22499 |
 |
Infanta Margarita (df01) |
1653
Cat no 122 |
| 22599 |
 |
Infanta Margarita (df01) |
Unfinished work,completed by Juan Bautista Martinez del Mazo
c 1660
Madrid,Museo del Prado |
| 22602 |
 |
Infanta Margarita (df01) |
1653 |
| 22605 |
 |
Infanta Margarita (df01) |
c 1656
|
| 22614 |
 |
Infanta Margarita (df01) |
1659
|
| 39728 |
 |
Infanta Margarita Teresa in a blue dress |
mk150
1659
Canvas
127x107cm
|
| 39736 |
 |
Infanta Margarita Teresa in a pink dress |
mk150
c.1653/4
Canvas
128.5x100cm
|
| 94895 |
 |
Infanta Margarita Teresa in a Pink Dress |
1660
Type Oil on canvas
Dimensions 212 cm x 147 cm
cyf |
| 70822 |
 |
infanta margarita vid tre ars alder |
olja pa duk 99.5x128cm
1816
se |
| 22587 |
 |
Infanta Maria Teresa (df01) |
1648 |
| 22588 |
 |
Infanta Maria Teresa (df01) |
1651 x 1652 |
| 22601 |
 |
Infanta Maria Teresa (df01) |
1652-1633
|
| 80012 |
 |
Infanta Maria Theresa, daughter of Philip IV of Spain, wife of Louis XIV of France |
1653(1653)
Oil on canvas
128.6 x 100.6 cm (50.6 x 39.6 in)
cjr |
| 70823 |
 |
infantan margarita vid atta ars alder |
olja pa duk 107x127cm
1700-talet
se |
| 22521 |
 |
Infante Don Carlos (df01) |
1628 |
| 39737 |
 |
Infante Felipe Prospero |
mk150
1659
Canvas
128.5x99.5cm
|
| 22597 |
 |
Innocent X (detail) (df01) |
1650 |
| 22542 |
 |
Isabel Clara Eugenia with Magdalena Ruis (df01) |
Alonzo Sanchez Coello's student
c 1585 |
| 78933 |
 |
Isabel de Borbon |
. 1630(1630)
Medium Oil
cyf |
| 22659 |
 |
Jacob recevant la Tunique de Joseph (df02) |
Joseph's Bloody Coat Brought to Jacob Josefs blutiger Rock wird Jakob gebracht
223 x 250 cm |
| 22607 |
 |
Jan Arnolfini and his Wife,Jeanne Cenami (df01) |
Jan Van Eyck
1434
London,The National Gallery |
| 94845 |
 |
Jester Barbarroja |
1637-1640
Type Oil on canvas
Dimensions 200 cm x 121.5 cm
cyf |
| 94842 |
 |
Jester Calabacillas |
1637-1639
Type oil on canvas
Dimensions 106.5 cm x 82.5 cm
cyf |
| 94848 |
 |
Jester Don Diego de Acedo |
1645
Type oil on canvas
Dimensions 106 cm x 83 cm
cyf |
| 94825 |
 |
Jester Named Don John of Austria |
1632-1633
Type Oil on canvas
Dimensions 210 cm x 124.5 cm
cyf |
| 22533 |
 |
Jose de Ribera (df01) |
Archimedes (detail)
1630 |
| 94820 |
 |
Joseph s Tunic |
1630
Type Oil on canvas
cyf |
| 734 |
 |
Joseph's Bloody Coat Brought to Jacob |
1630
Monasterio de San Lorenzo, El Escorial |
| 22541 |
 |
Joseph's Bloody Coat Brought to Jacob (df01) |
1630
|
| 97077 |
 |
Josephs bloody coat brought to Jacob |
1630(1630)
Medium oil on canvas
Dimensions 223 X 250 cm
cyf |
| 62308 |
 |
Juan |
109 x 107 cm Museo del Prado, Madrid Monta??s was the greatest Spanish sculptor of the 17th century, known as 'el dios de la madera' (the god of wood) on account of his mastery as a carver. He worked for most of his long and productive career in Seville. Vel?zquez painted this portrait in Madrid when the sculptor made a portrait head of King Philip IV |
| 773 |
 |
Juan de Pareja |
1650
Metropolitan Museum of Art, New York |
| 61398 |
 |
Juan de Pareja |
Juan de Pareja (1650) |
| 22589 |
 |
Juan de Pareja (detail) (df01) |
1649-1650 |
| 83197 |
 |
Juan Mateos |
Date ca. 1634(1634)
Medium Oil
Dimensions Height: 109 cm (42.9 in). Width: 90 cm (35.4 in).
cjr |
| 87302 |
 |
Juan Mateos |
. 1634(1634)
Medium Oil
cyf |
| 87383 |
 |
Kind des Vallecas |
1643-1645
Medium Oil on canvas
Dimensions Deutsch: 107,5 x 83,5 cm
cyf |
| 43107 |
 |
Kitchen Scene with Christ in the House of Martha and Hary |
mk170
circa 1618
Oil on canvas
60x103.5cm
|
| 79123 |
 |
Konigin Maria Anna von Spanien in hellrotem Kleid |
um 1655/1660
cjr |
| 80425 |
 |
Konigin Maria Anna von Spanien in hellrotem Kleid |
Deutsch: um 1655/1660
Medium Deutsch: Leinwand
Dimensions Deutsch: allseitig beschnitten, obere Ecken ergänzt: 128,5 x 99 cm
cyf |
| 22628 |
 |
L'Adoration des Mages |
1619
The Adoration of the Magi Anbetung der Heiligen Drei Konige
204 x 126.5 cm
(df02) |
| 22626 |
 |
L'Immaculee Conception (df02) |
c 1619
The Immaculate Conception of the Virgin
Jungfrau der Unbefleckten Empfangnis
135 x 101.6 cm |
| 22732 |
 |
L'Infante Marguerite (df02) |
c 1656
Infanta Margarita
Infantin Margarete
105 x 88 cm |
| 22674 |
 |
La Crucifixion (df02) |
c 1632
Christ on the Cross
Christus am Kreuz
250 x 170 cm |
| 22690 |
 |
La Dame a I'eventail (df02) |
c 1635
Lady with a Fan Frau mit facher
95 x 70 cm |
| 22633 |
 |
La Fille de Cuisine (df02) |
c 1620
The Kitchen Maid
Kuchenszene
55.5 x 104.5 cm |
| 22660 |
 |
La Forge de Vulcain (df02) |
1630
The Forge of Vulcan
Schmiede des Vulkan
222 x 290 cm |
| 22716 |
 |
La Legende d'Arachne (Les Fileuses) (df02) |
c 1644-1648
The Fable of Arachne (Las Hilanderas)
Sage der Arachne (Die Spinnerinnen)
[167 x 252 cm] 222.5 x 293 cm (avec agrandissements) |
| 22635 |
 |
La Mere Jeronima de la Fuente (df02) |
1620
Mother Jeronima de la Fuente
Mutter Jeronima de la Fuente
162 x 107 cm |
| 22636 |
 |
La Mere Jeronima de la Fuente (df02) |
1620
Mother Jeronima de la Fuente
Mutter Jeronima de la Fuente
162.5 x 105 cm |
| 94813 |
 |
La mulata |
1618-22
Type oil on canvas
Dimensions 104.5 cm x 55 cm
cyf |
| 22686 |
 |
La Reddition de Breda (Les Lances) (df02) |
1634-1635
The Surrender of Breda (Las Lanzas)
Ubergabe von Breda (Die Lanzen)
307.5 x 370.5 cm |
| 22617 |
 |
La Reddition de Breda ou Les Lances (detail) (df02) |
1634-1635 |
| 61397 |
 |
La rendicion de Breda was inspired by Velazquez first visit to Italy, |
La rendicien de Breda (1634-1635, English: The Surrender of Breda) was inspired by Velazquez's first visit to Italy, in which he accompanied Ambrogio Spinola, who conquered the Dutch city of Breda a few years prior. This masterwork depicts a transfer of the key to the city from the Dutch to the Spanish army during the Siege of Breda. It is considered one of the best of Velezquez's paintings. |
| 22739 |
 |
La Tentation de Saint Thomas d'Aquin (df02) |
1631-1632
The Temptation of St.Thomas Aquinas
Die Versuchung des heiligen Thomas von Aquin
244 x 203 cm |
| 22610 |
 |
La Torre de La Parada (df01) |
Felix Castello
1637
Madrid,Museo Municipal |
| 22637 |
 |
La Vierge imposant la chasuble a saint IIdefonse df02) |
c 1620
St Ildefonso Receiving the Chasuble from the Virgin
Maria schenkt dem heiligen IIdefonso ein Megewand
166 x 120 cm |
| 22663 |
 |
La Villa Medicis a Rome (deux hommes a l'entree de la grotte) (df02) |
1630
Villa Medici in Rome (Facade of the Grotto-Logia)
Villa Medici,Zwei Manner bei der Fassade der Grottenloggia
48.5 x 43 cm |
| 22662 |
 |
La Villa Medicis a Rome (le Pavillon d'Ariane) (df02) |
1630
Villa Medici in Rome (Pavillon of Ariadne)
Villa Medici,Pavillon der Ariadne
44.5 x 38.5 cm |
| 61401 |
 |
Lady from court, |
Lady from court, c. 1635 |
| 22575 |
 |
Lady with a Fan (df01) |
c 1635 |
| 95715 |
 |
Las hilanderas con anadidos de mano ajena |
Date 1657
cyf |
| 53802 |
 |
Las Menin |
mk234
1656
318x276cm |
| 747 |
 |
Las Meninas |
1656
Museo del Prado, Madrid
|
| 26453 |
 |
Las Meninas |
mk50
1865
Museo del Prado,Madrid
|
| 30585 |
 |
Las Meninas |
mk68
Oil on canvas
10'5"x9'
Madrid,Prado
1656
Spain
|
| 32916 |
 |
Las Meninas |
mk84
ca.1656
Madrid,Prado,canvas
321x281cm,
|
| 33647 |
 |
Las Meninas |
mk86
1656/57
Ol on canvas
318x276cm
Madrid,Museo del Prado
|
| 40482 |
 |
Las Meninas |
mk156
1656
Oil on canvas
318x276cm
|
| 50729 |
 |
Las Meninas |
mk214
1656
Oil on canvas
|
| 55772 |
 |
Las Meninas |
mk244
318x276cm
Oil on canvas
|
| 56083 |
 |
las meninas |
1656,oil on canvas,126x108.625 in,320x276 cm,museo del prado ,madrid,spain |
| 61403 |
 |
Las Meninas |
Las Meninas (1656, English: The Maids of Honour) |
| 67387 |
 |
las meninas |
se |
